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Through examples ranging from Monteverdi to Madonna, McClary's core argument seems always the same: tonal music, originating in patriarchal societies which excluded women often literally from the active public life - including composition of music -, sometimes intentionally but more often unwittingly formed a structures which can be understood as male approach to storytelling. Selected Solver Comments: rachaar I LOVE this female-themed puzzle for International Women’s Day!Even the non-theme answers. Common terms and phrases. Price New from Used from Kindle "Please retry" … What she has to say specifically about the music and the text is sharp, accurate, and telling; she hears what takes place musically with unusual sensitivity. In English iambic pentameters, a feminine ending involves the addition of an eleventh syllable, as in Shakespeare's famous lineTo be, or not to be; that is the questionIn French, a feminine line is one ending with a mute e, es, or ent. “. Most Italian nouns (i nomi) end in a vowel. “. Grammar A final syllable or termination that marks or forms words in the feminine gender. (music or poetry) ending on an unaccented beat or syllable Familiarity information: FEMININE used as an adjective is uncommon. Thank u McClary for opening the floodgates for the emergence of feminist musicology. Please explain the examples I need some help 10 pts thanks in advance postrander If I know all the music people in the grid, it must be on the easy side. Feminine (adjective) (music or poetry) ending on an unaccented beat or syllable; "a feminine ending" Masculine (noun) a gender that refers chiefly (but not exclusively) to males or to objects classified as male. The apotheosis of this storytelling is cadence, for the story to make sense a resolution of all tonal tensions in the predetermined key is a must. The somewhat too frequently employed device of having an audience-addressing narrator move the action forward is so well done that it feels fresh and new. McClary's work is divisive among musicologists because she has dared to take methods of criticism developed in literary and sociology circles - feminist, post-colonialist, queer studies and other criticisms that interrogate social contexts of art - and to apply them to Western art music, which has traditionally considered itself immune from such interrogations of "meaning" (many musicologists believe that music doesn't "mean" anything, but simply exists). The example below shows a metrically unaccented cadence (IV–V–I). Feminine ending may also refer to: Feminine ending, in meter, a line of verse that ends with an unstressed syllable. . Mostly the Madonna essay this time, as part of comps studying. la profesor a. the teacher. I won't follow Susan McClary off a (literal or intellectual) cliff, but I'd sure follow her around the world a few times. “This doesn’t make any sense,” Amanda Blue complains a little more than an hour into “A Feminine Ending,” a new play by Sarah Treem on … Looking at music through the lens of gender and sexuality had not really been done before, and was clearly not something people were comfortable with. Feminine Nouns. The extent to which gender and sexuality operate in Classical music is so great that metaphors of tension and release, masculine and feminine, that we use 'rationally' to talk about it go unquestioned. The problems she identifies in the fierce, and frankly courageous, introduction to the book are still present in music scholarship. I appreciate what she is doing and realize that she is laying groundwork that many other scholars are able to refine but I do think that some of what she is doing is just conjecture, and often she seems to leap to the obvious social explanations without much more than anecdotal evidence. Music from the period of Haydn and Mozart used the progression Ic-»V, i.e. Through examples ranging from Monteverdi to Madonna, McClary's core argument seems always the same: tonal music, originating in patriarchal societies which excluded women often literally from the active public life - including composition of music -, sometimes intentionally but more often unwittingly formed a structures which can be understood as male approach to storytelling. In a class on music history from 1600-1750 we read the chapter 2 essay on Monteverdi, memorable for its reference to Stephen Greenblatt and the history of science's attitudes to female sexuality, and the resulting aesthetic of equal two-part sexual friction in Monteverdi's vocal lines; in a musicology capstone we read chapter 3, thinking about whether there is such a thing as a Woman's Music or a Gay Man's Music; in a class on nineteenth-century music we read chapter 5 and learn about the violent sexuality of the symphony; and in a class on twentieth-century music we read chapter 6 and learn about Laurie Anderson and the differences between mind, body, and technology. “. I'm definitely inspired to continue to seek out feminist analyses of music. Ending in an a indicates that a person or animal is female or that an object, idea, etc. One of the things I appreciate with McClary is how readable and engaging she is compared to lots of other academic writing. I aspire to make my own academic writing as fun to read, yet still serious and thoughtful, as hers is. • FEMININE (adjective) The adjective FEMININE has 4 senses: 1. associated with women and not with men. Feminine ending, in grammatical gender, is the final syllable or suffixed letters that mark words as feminine. Music An ending of a phrase or cadence falling on a rhythmically light note or chord. In German, almost every noun belongs to one of the following three gender groups: Masculine (der), feminine (die), or … This book was definitely a little academic for me to read sometimes. ("Feminine ending" is a musical term once commonly used to denote a weak phrase ending or cadence.) It was one of the first musicological books I delved into before coming to university and it completely changed the way in which I thought about music and gender (probably making me think about them together for the first time). Watch the video for Feminine Endings from Neil Gaiman's An Evening With Neil Gaiman & Amanda Palmer for free, and see the artwork, lyrics and similar artists. She does in-depth readings of many great composers, but also Madonna and Laurie Anderson. See Masculine and feminine endings; Feminine ending or feminine cadence, a term in music theory for a phrase or movement that ends in an unstressed note or … 3. befitting or characteristic of a woman especially a mature woman. 2. of grammatical gender. It was one of the first musicological books I delved into before coming to university and it completely changed the way in which I thought about music and gender (probably making me think about them together for the first time). la guitarr a. An extra unstressed syllable at the end of a line of verse. Well, four of them anyway, which seems like a lot to me. Welcome back. "-The New York Review of Books. Masculine (adjective) of grammatical gender; "`it' is the third-person singular neuter pronoun" My friend was a little wowed by McClary's rock-star status, but also conflicted because she found some of the critic's stances to be over the top. Choice“Feminine Endings, a provocative ‘sexual politics’ of Western classical or art music, rocks conservative musicology at its core. This definition is applicable in most cases; see below, however, for a more refined characterization. I originally picked it up because it was about two of my favorite things to read about: music theory and gender. One of the four is currently finishing up her musicology doctorate at UCLA, and I remember that when she started her program she was intimidated by the presence, on faculty, of controversial music critic Susan McClary. second inversion tonic chord to dominant chord, so often that one might call it 'characteristic' and is sometimes called a 'half' cadence. McClary definitely Went There in this book, exploring how the tonal and thematic plan of a sonata-allegro movement can be interpreted as an enactment of 18th and 19th century ideas about masculinity and femininity, what the musical depictions of female characters in vocal music say about attitudes towards men and women, and how desire and its construction permeate so much musical structure. . Ground-breaking when it first came out, Feminine Endings is still relevant 30 years on. adj. feminine. la ros a. the rose. This is a re-read, since I read this way back in undergrad for the first time. . . McClary definitely Went There in this book, exploring how the tonal and thematic plan of a sonata-allegro movement can be interpreted as an enactment of 18th and 19th century ideas about masculinity. Definition of feminine a gender that refers chiefly (but not exclusively) to females or to objects classified as female (music or poetry) ending on an unaccented beat or syllable; "a feminine ending" Thanks for visiting The Crossword Solver. To create our... A groundbreaking collection of essays in feminist music criticism, this book addresses problems of gender and sexuality in repertoires ranging from the early seventeenth century to rock and performance art. Of or relating to women or girls. Feminine Nouns that End in A. examples; la enfermer a. the nurse. Feminine Endings: Music, Gender, and Sexuality Paperback – Illustrated, July 24, 2002 by Susan Mcclary (Author) 4.6 out of 5 stars 20 ratings. Well, four of them anyway, which seems like a lot to me. She's the sort of writer I can assign to non-music-majors and undergrads without too much explanation, despite her essays' once-controversial status in the discipline -- and her work does an excellent job still of stimulating discussi. The ending of a metrical verse line on an unstressed syllable, as in the regular trochaic line. McClary's work is divisive among musicol, Although I was an English major in college, and my primary mode of artistic connection has always been literature, I somehow ended up with a surprising number of musicologist friends. However, simply dismissing this book as 'essentialist' detracts from the salient points McClary raises and it is important to me that she draws on the experiences of real women in her critique. feminine synonyms, feminine pronunciation, feminine translation, English dictionary definition of feminine. Susan McClary has written extensively on the gendered terminology of music and music theory in her book Feminine Endings. One of the four is currently finishing up her musicology doctorate at UCLA, and I remember that when she started her program she was intimidated by the presence, on faculty, of controversial music critic Susan McClary. Just a moment while we sign you in to your Goodreads account. Start by marking “Feminine Endings: Music, Gender, and Sexuality” as Want to Read: Error rating book. Her parents are getting divorced, her fiancé is almost famous, her first love reappears, and there's a … by Univ Of Minnesota Press, Feminine Endings: Music, Gender, and Sexuality. Sarah Treem A Feminine Ending is a gentle, bittersweet comedy about a girl who knows what she wants, but not quite how to get it. 1. By Madeleine Cohen. Masculine ending and feminine ending are terms used in prosody, the study of verse form. The final chord is postponed to fall on a weak beat. . Characterized by or possessing qualities traditionally attributed to women, such as demureness. All music-lovers should read it, and cheer.” The Women’s Review of Books"McClary writes with a racy, vigorous, and consistently entertaining style. this is a major book . Effeminate; womanish. Goodreads helps you keep track of books you want to read. Most feminine nouns end in a. This book originally came out just before I went to college, and I remember a bit about the controversy it stirred up in musical circles at the time. Feminine Endings: Music, Gender, and Sexuality Susan Mcclary When it was originally published in 1991, Feminine Endings was immediately controversial for its unprecedented intermingling of cultural criticism and musical studies, an approach that came to be called "the New Musicology." The feminine gender is stronger than the second, the cadence is 'feminine! First to ask a question about feminine Endings is still relevant 30 years.! Extensively on the structure of the 7 essays in this collection in different undergraduate music subjects, each on different... 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